A man appears in the foreground, then walks away carrying a shovel and a flashlight in the middle of the night, surrounded by Soviet-era buildings. The sequence—a familiar trope in crime or horror films—feels ambiguous in its audiovisual construction. As he moves forward, head down, a woman’s voice calls him, laying out instructions for his … Sigue leyendo Mr. Nobody Against Putin: War, Indoctrination, and Democratic Resistance